French Romantic Painter, 1791-1824 was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.   Related Paintings of Theodore Gericault :. | Kohlenwagen | The Quicklime Works | The Limekiln | Charging Chasseur by Theodore Gericault | The Cleptomaniac (mk45) |
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Carleton E.Watkins
American photographers , b. 1829, d. 1916 was a noted 19th century California photographer. Carleton Emmons Watkins was born in Oneonta, upstate New York. He went to San Francisco during the gold rush, arriving in 1851. He traveled to California with Oneontan Collis Huntington, who later became one of the owners of the Central Pacific Railroad, which helped Watkins later in his career. His interest in photography started as an aide in a San Francisco portrait studio, and started taking photographs of his own in 1861. He became interested in landscape photography and soon started making photographs of California mining scenes and of Yosemite Valley. He experimented with several new photographic techniques, and eventually favored his "Mammoth Camera," which used large glass plate negatives, and a stereographic camera. He became famous for his series of photographs and historic stereoviews of Yosemite Valley in the 1860s, and also created a variety images of California and Oregon in the 1870s and later. Watkins purchased the 1860s Central Pacific Railroad construction stereoview negatives from CPRR official photographer Alfred A. Hart and continued their publication through the 1870s. However Watkins was not a good businessman. He spent lavishly on his San Francisco studio and went deeply in debt. His photographs were auctioned, following a business setback, resulting in his photographs being published without credit by I. W. Taber, the new owner. Watkins also had problems of his photographs being reprinted without permission by Eastern companies and with other photographers rephotographing the exact scenes Watkins photographed. In 1879, Watkins married his 22-year-old assistant, Frances Sneade, with whom he had two children. Watkins began anew with his "New Series," which included a variety of subjects and formats, mostly related to California.
PIOLA, Domenico
Italian Baroque Era Painter, 1627-1703 was a Genoese painter of the Baroque period. His family studio was highly prolific. He apprenticed with his family, including his elder brother, Pellegro Piola, as well as with Domenico Fiasella. Other members of the Piola family, who were artists included Domenico's brother, Giovanni Andrea and his three sons Paolo Gerolamo, Anton Maria, and Giovanni Battista; his two sons-in-law, Gregorio de Ferrari and Domenico Parodi; and his brother-in-law Stefano Camogli. The large family studio, called Casa Piola excelled in both quadratura fresco decoration and canvases. Generations of artists, down to the 20th century, descended from the line of Piola-De Ferrari, including Giovanni Maria De Simoni, who died in 1913 in the original residence of Domenico's family. Domenico was also a well-known printmaker and draughtsman.
Felix de vuillefroy
French, 1841-1910